Lines Matching defs:to

8  * particular file as subject to the "Classpath" exception as provided
18 * 2 along with this work; if not, write to the Free Software Foundation,
36 * inner class provides static instances of types that are used to
39 * The <code>FloatControl</code> abstract class provides methods to set and get
42 * returned values). Some float controls allow ramping to a
127 * can change from one discrete value to the next during a {@link #shift(float,float,int) shift}
176 * to zero-length strings.
184 * can change from one discrete value to the next during a {@link #shift(float,float,int) shift}
309 * time, it should set the control's value to the final value immediately
321 * Changes the control value from the initial value to the final
324 * to complete. An implementation should complete the operation within the time
326 * to the final value immediately.
329 * @param to final value after the shift
332 * @throws IllegalArgumentException if either {@code from} or {@code to}
337 public void shift(float from, float to, int microseconds) {
338 // test "from" value, "to" value will be tested by setValue()
347 setValue(to);
386 * Gain is a quantity in decibels (dB) that is added to the intrinsic
391 * The gain setting defaults to a value of 0.0 dB, meaning the signal's
398 * The <code>FloatControl</code> class has methods to impose a maximum and
401 * that the signal will be undistorted when the gain is applied to it (unless
404 * clipping, meaning that the signal's amplitude will be limited to the maximum
407 * These comments apply to gain controls in general, not just master gain controls.
439 * This control may be used to affect how much
440 * of a line's signal is directed to a mixer's internal reverberation unit.
450 * This control may be used to control the relative amplitude
476 * (left channel only) to 1.0 (right channel
488 * between two stereo speakers. The valid range of values is -1.0 (left channel only) to 1.0 (right channel
505 * to 22050 samples per second, the media will play back at twice the